Putting Your Emails In Context

September 27, 2017      Admin

It’s tempting to think fanatize that our donors and donor prospects are hovering over their favorite digital device, eagerly awaiting each and every one of our fundraising messages … and of course ignoring all that other ‘clutter’ sent by others.

Of course such vigilance is a fantasy. I’m sure no Agitator readers are mistaken about that.

But we are susceptible to getting a bit casual, maybe even lazy, as we crank up our digital engines and fire away without really being mindful of the contexts in which these messages are received.

And yet context is so important in terms of how these most discardable and probably least weighty (compared to any other medium of contact, from face-to-face to phone call to letter) of messages are processed.

Here’s some data from a recent Adobe survey that serves as a reminder of just how un-notable our emails might be:

  • The mean percent of personal emails opened is 60% — so 40% ignored/deleted off the bat;
  • 59% of personal emails are opened on a smartphone (which almost always suggests other simultaneous distractions are at play);
  • 90% of recipients open their personal emails while at work — 39% every hour or even more frequently (again, not exactly a leisurely reflective context).

And what are the most common situations in which your emails are likely to be read?

Tell me, do any of those circumstances strike you as ideal for your donor to be weighing your latest ‘life or death’ appeal?!

Given these circumstances, it pays to devote some serious attention to the mechanics and creative aspects of your emails — from download speed and readability via mobile devices to use of images (in terms of both technical rendering and expected impact); from proven subject line approaches (e.g., personalization) to respecting known donor preferences as to frequency and content.

The last thing you should do is regard your email messaging as cheap, easy and automatic … that’s the sure path to having your emails disregarded.

Tom